despre intersectia feminism-critica nationalismului

o foarte buna sinteza a raspunsului la intrebarea de ce nationalismul este un subiect relevant pentru feminism si viceversa (de thinking girl) [en]

… Nationalism is replacing democracy. Nationalism … is a disguised form of racism, and democracy becomes a tool for nationalist racism to flourish through “freedom of speech” that allows freely spoken hatred – this “freedom” is a freedom of the speaker, not a freedom of those spoken about. When nationalism creates images and rhetoric of homogeneity in its population, marginalizing on the basis of race, gender, and sexuality, the freedom of marginalized groups to speak back against hate speech with speech of their own is compromised, because their speech is not as powerful and valuable as that of the dominant group. Hate speech is one-sided; how is that “freedom”? “equality”? Outsiders in a nation cannot use freedom of speech to challenge the inside ofthat nation; their speech is rejected.

Language about nations is largely highly gendered. We talk about the “mother” or “fatherland”, the “mothertongue.” Nationalism is often spoken in terms of family, headed by a masculine figure, and embodied as a woman. The patriarchal family unit is privileged in nationalistic discourses. The feminine is mother, nurturer, caregiver, in this family, and so the nation’s women are mothers of all the children of the nation. This makes women particular targets in ethnic cleansing regimes as warring groups rape and impregnate women, forcing them to literally be the mothers of a new fantasmic nation of their own design. The women themselves get lost in these violent acts; ethnic cleansing/genocidal rape is seen as worse than “regular” rape, partially because the crime has men as the intended victims as well as the raped women: genocidal rape is meant to eliminate a population of people, not just eliminate the woman. And here, of course, “people” includes the most important citizens: male citizens. At the same time that victims of genocidal rape are forced to be mothers to a new nation, they are eliminated as the mothers of the old nation, used to break apart the national family. And this fiction is legitimized along racial lines but it plays out on gender lines, normalizing gender violence by leaving it unnamed. Male-male rape in war is not mentioned because it destabilizes the very idea of gender central to nationalism. And, of course, in all of this ideology about the patriarchal family unit, gay, lesbian, bisexual, and trans people are completely invisible, because sexuality is invisible…

de prin lume…

2 proiecte care adreseaza problema hartuirii sexuale pe strada: holla back new york city (un blog pe care femeile pot posta poze facute cu telefonul mobil celor care le-au hartuit) si blank noise project in delhi (colectioneaza haine purtate de femei cind au fost hartuite, ca reactie la ideea ca “e vina femeilor ca se imbraca intr-un anumit fel”); detalii in ms magazine [en]

“anglia interzice porno-ul violent” [en] (jill de la feministe comenteaza pe marginea stirii de pe o pozitie feminista sex-pozitiva)

un reportaj in revista clamor despre controversa cu compania american apparel (a.a. protesteaza, si spiritele se incing) [en]. in esenta, a.a. se prezinta ca fiind o companie “cu constiinta sociala” – opusa sweatshop-urilor (cu un model de business tip… aaa… “fuziune hiper-capitalist-socialista” si productie “integrata vertical”); in acelasi timp, interzice angajatilor sa formeze sindicate si se promoveaza cu ajutorul unei campanii publicitare/imagini corporate hiper-sexiste – promovate de directorul companiei, dov charney, care face declaratii gen “violenta domestica e initiata in majoritatea cazurilor de femei” si “femei cu parul scurt… e ceva anormal.” :)) mda… inca o initiativa “cu constiinta sociala” care e de fapt despre orgoliul si imaginea unui tip, bazata pe o viziune misogina si patriarhala [a zis cineva pulafashion?].

foarte plin de constiinta sociala, nu?

parodii buynothingday si clamor (via adbusters):

AA_Kristina.jpg

shameless magazine din canada: “for girls who get it”

Eclectic Tech Carnival – about

WHAT
====
Eclectic Tech Carnival 2006, a carnival of exchanging
computer-related skills, ideas and art. By women and for women.
/etc2006, 4-8 September, Timisoara, Romania

HISTORY
=======
Since 2001, the network of women who help organize the
Eclectic Tech Carnival or /etc has grown both far and wide.
We are geographically some-what diverse and we have varied
experiences and expertise in computing, technology, art
and activism. We are an eclectic bunch. Since the northern
summer of 2002, we (or some subset there of) have successfully organized an annual Eclectic Tech Carnival.

To connect, to network in real life. The global village
has come at the price of community. We are interested in
tech things and like to play with it. We know there are
other women who are also interested. There is little
opportunity for us to get together. And there is even
less open space for women to learn new skills. It is
especially hard for those with little resources to make
a start.
We want to change that!
We want to help women feel confident enough to ‘hack’
their own way into northern and male domination of digital
technology.
We can do it!
We want to help women learn to use Free/Libre and
Open Source Software.

Why the name /etc?
==================
Well, /etc is a directory of the linux file system. In
this directory called /etc (short for etcetera) are all
the important configuration files for your computer and
its networking (hostname, hosts, networks). We asked
ourselves, “If we were part of the linux file system,
what would we be?” The /etc directory seemed the best
place for a carnival of ideas and then the name Eclectic
Tech Carnival or /etc for short was born.

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revista maxim impotriva misoginiei. altora.

o reclama de pulafashion si revista maxim din campania “spune nu pedofiliei din showbiz” (“a fi barbat nu inseamna sa-ti cumperi trupuri de copile sarace ca si cum ai cumpara o bucata de carne dintr-un galantar”):

o imagine obisnuita din revista maxim:

mesajul campaniei “antisociale” pulafashion&maxim?

“a fi barbat nu inseamna sa-ti cumperi trupuri feminine ca pe o bucata de carne… decit cind ti le vindem noi.”

vezi:

Protesting Maxim Girl Search [en]

Imaginea femeii in publicitate
“What’s the problem? Facts about girls, women + media” [en]
Center for Media Literacy: Sexist Ads
[en]
Media Watch Hall of Shame
[en]
Killing Us Softly
[en]

“No to sexist ads! An example of successful campaigning” [en]

putin despre take back the night

Termenul “Take Back the Night” (TBTN) sau “Reclaim the Night”, care in limba romana s-ar traduce “ia noaptea inapoi” sau “revendica noaptea”, este folosit pe plan international ca metafora pentru abordarea directa a unei probleme adeseori trecute sub tacere – omniprezenta violentei sexuale si teama sub semnul careia ca femei suntem invatate sa traim de mici. Originea ideii de TBTN pare sa fie intr-un protest din 1877 al unui grup de muncitoare si prostituate din Anglia fata de nesiguranta resimtita de femei pe strazi in special noaptea. In intruchiparea sa moderna de mars impotriva violentei al femeilor, TBTN s-a tinut pentru prima oara in 1973 in Germania, ca reactie la o serie de incidente in care femei au fost violate si omorate. Curand dupa aceea au inceput sa se organizeze marsuri asemanatoare si in alte locuri. Primul TBTN de amploare din Statele Unite a fost cel din San Francisco din 1978, cand cateva mii de femei au iesit noaptea in districtul rosu al orasului cu ocazia unei conferinte pe rolul pornografiei in subjugarea si opresiunea femeilor. A fost o actiune de revendicare a dreptului la libertatea de miscare, chiar si intr-o zona stiuta drept unul din cele mai periculoase locuri in care se poate gasi o femeie, mai ales noaptea. De atunci, in stransa legatura cu miscarea anti-violenta ce include programe de “rape crisis” si ajutor pentru victimele violentei domestice, marsul s-a extins la alte orase si campusuri universitare din Statele Unite cat si la alte locuri de pe glob (pe tot continentul american, multe tari europene, India), si a evoluat intr-o actiune ce adreseaza violenta sexuala, violenta domestica, si discriminarea sexuala in general.

Actiunile TBTN se organizeaza sub mai multe forme, dar cele mai multe incep cu un rally cu vorbitori la care pot participa atat femei cat si barbati, urmat de marsul in sine alcatuit numai din femei. Uneori, aspectul “women-only” al TBTN este contestat si chiar eliminat pentru a face marsul cat mai “inclusiv” posibil, dar participarea barbatilor este contrara punctului de baza al marsului – pentru femei sa confrunte pericolul de a iesi noaptea pe strazi fara sa fie “protejate” de un barbat. De asemenea, la TBTN echipa de protectie si blocare a strazilor este si ea “women-only” in general, pentru ca a recurge la protectia politiei ar fi un alt lucru contrar spiritului actiunii. In timpul marsului, grupari ce includ barbati care se ocupa cu combaterea violentei sexuale pot organiza discutii despre rolul si responsabilitatile barbatilor in ce priveste violenta si despre modalitatile in care se pot implica si ei in eforturile pentru eradicarea sa. O alta parte din eveniment, combinata cu marsul sau tinuta separat, o constituie asa-numitele “speak-outs”, care sunt spatii unde femeile isi pot impartasi experientele cu violenta sexuala sau orice lucru caruia doresc sa-i dea glas sau pe care vor sa-l puna in discutie, intr-o atmosfera de intelegere si suport.

Care sunt scopul si impactul de baza ale acestei actiuni? Iata un pasaj reprezentativ dintr-o declaratie de intentie pentru un TBTN: “violenta impotriva femeii cuprinde mult mai mult decat acte separate de brutalitate fizica. Femeile au fost de-a lungul istoriei, si continua sa fie, supuse unei violente sistemice care ne refuza accesul la resurse si puterea de decizie. Violenta domestica, violenta sexuala, hartuirea sexuala, rasismul, homofobia, saracia, limitarea libertatii de reproducere si accesul neadecvat la servicii de sanatate sunt toate nedreptati care afecteaza viata femeilor in mod diferit de cum sunt resimtite de barbati. Mai mult, toti barbatii — fie ca realizeaza sau nu — beneficiaza de privilegiile pe care le acumuleaza prin simplul fapt ca traiesc intr-o societate marcata de vaste inechitati de gen. Astfel, Take Back the Night nu are in vedere numai violenta sexuala. in schimb, este un act de solidaritate impotriva violentei sistemice care ne influenteaza vietile”. Simplu spus, TBTN inseamna activism feminist din cel mai radical – in sensul de a merge la radacina problemelor al cuvantului “radical”.

Continue reading

de citit

“free to rock out”No fires at these summer camps for girls, but plenty of guitars, drums, keyboards and a whole lot of ambition.

un interviu cu katha pollitt despre feminisme (“‘Strident’ and proud”: Columnist Katha Pollitt blasts feminism’s new timidity and says, “This ‘girls just want to have fun’ feminism is a very shallow approach to life.)
+ un video in care “katha pollitt issues a challenge to the christian right”

“abortion is a basic human right”A doctor who was tortured for giving medical aid to Guatemalan rebels says a woman’s right to end her pregnancy must be considered an international human right.

“give me that old-time feminism”While Muslim women are being stuffed into burkas, American post-feminists are trying to stuff their feet into stilettos.

“climate change is a women’s issue”Some women’s advocates are demanding that new climate policies address the different ways men and women will be affected by global warming..

ok, raspunsul NU e pornul

porn: good for america, good for the ladies (la feministe) (un jurnalist atribuie faptul ca rata violurilor a scazut in sua in ultimii 30 de ani pornografiei, exclusiv – nu eforturilor anti-violenta cum ar fi centre de rape crisis sau poate faptului ca ideea promovata de cei care lucreaza impotriva violentei – ca nu e ok sa violezi – a inceput sa prinda radacini)

fete proaste, fete curve

un articol despre prevalenta si popularitatea imaginii de “stupid girl” in pop-culture-ul curent – explicatii, implicatii:

Return of the brainless hussies

From “American Idol” to Paris Hilton to an army of jiggly video stars, vapid females seem to be everywhere these days. Have we really gone this far backward, baby?

During the last week of April, Ellen DeGeneres welcomed Paris Hilton and her four Chihuahuas to her daytime talk show, ostensibly for a special episode about dogs. Once the host had the hotel heiress sitting down, however, she pressed her on a non-canine issue, asking whether she was hurt by Pink’s video for “Stupid Girls,” which mocks Hilton and her shopping-zombie peers for their essentially somnambulant behavior, and which two weeks earlier, DeGeneres had praised on her show. “I haven’t even seen it yet,” said the hotel heiress, in her flat monotone. “But I think … it’s just a form of flattery.”

Any thinking person who has seen Pink’s video, in which she sends up Jessica Simpson’s “These Boots Were Made for Walking” video by humping a soapy car, imitates an Olsen twin in Montana-size sunglasses and Wyoming-size handbag walking straight into the plate-glass door of a boutique, and savagely mocks Hilton’s appearance in a dingy night-vision sex tape, would not confuse the clip with any known form of flattery. Especially if that thinking person heard the “Stupid Girls” lyrics, which go, in part: “They travel in packs of two or three/ With their itsy-bitsy doggies and their teeny-weeny tees/ Where, oh where, have the smart people gone?”

But Hilton is not a thinking person. Or, if she is, she hasn’t let on.

[….] these new, varied and wildly threatening options help to explain and undergird a rejuvenated craze for dumb chic. Perhaps, as social progress propels women slowly but undeniably forward into public spheres of influence, baser human impulses — erotic desire, capitalist greed — dig in, summoning and then clinging to a dusty daydream of the fast-fading ideal woman of yesteryear.

Working on this story, I received an e-mail from a Harvard graduate student who told me that while he’d dated only smart girls, he “liked the ‘idea’ of dating a dumb girl.” The fantasy, the student explained, “is almost certainly formed for us by the media representations of … celebrities [like Hilton, Lohan, and Simpson]. Blonde dumb girls are sexy. And won’t talk back. Add in various shades of male ego/guaranteed superiority notions, and you’ve pretty much got it.” In a world in which male superiority is no longer guaranteed, it becomes a lascivious desire that can be gratified, performatively if need be, by willing women. As Pink trills, mockingly, “Maybe if I act like that/ that guy will call me back.”

But it’s time to put that transactional model for romance out of its misery, and make room in the pop firmament for examples that sound more like Pink’s self-assessment: “I’m so glad that I’ll never fit in/ That will never be me/ Outcasts and girls with ambition/ That’s what I wanna see.”

dupa parerea mea, analiza e rezonabila. (ma mira ca nu spune nimic despre pop-cultura (radical) feminista care exista si ea, reprezentata de le tigre si bust si stitch ‘n’ bitch si hip hop feminist si feminist-blogging si o gramada de alte chestii nu total underground printre care si ladyfest – si pentru care pink-ca-si-feminista este numai o foarte indepartata intruchipare din mainstream.) dar articolul este si mai bun citit in combinatie cu textul “I like Paris Hilton”, care explica de ce la un anumit nivel reactiile “feministe” la tipe gen paris hilton (“e curva deci e proasta si viceversa”) sint de fapt profund anti-feministe:

“More accurately perhaps, I don’t hate her.”

“I can like Paris and agree that some of what she does is Bullshit.”

“I’m not saying Paris Hilton should be the next poster girl for feminism. I am saying the reasons so many love to hate her seem steeped in sexism.”

“If I have a problem with Paris, it’s with celebrity obsession/worship in general and our ass-backwards media that force feeds them down our throat and successfully lulls so many Americans into a general lazy complacency – instead of thinking about or acting on The Real Issues.”

eu cred ca urmatorul punct este si foarte adevarat si foarte important: “attaching the ‘slut’ moniker to Hilton ultimately does feminists more harm than good. When a feminist mocks the so-called slutitude of another woman, she gives the misogynists a green light to do the same” (sau “1) much of the hatred of Paris reinforces anti-feminist norms in essentially deplorable ways, and 2) the hatred of Paris even for the better reasons is clearly over-the-top compared to other rich airheads because she’s an openly sexual young woman.”).